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ARCHIVES HPA TECH RETREATTM Presentations 2009:
ATSC Audio Summit, Ver. 2.0 - Audio Loudness & Lip-Sync: Finding Solutions
HPA Insight / Foresight Visions of the Future Supersession Mark Schubin, consultant, Pt. 2
Introduction & Technology Year in Review - Mark Schubin Intro - Review 2009 FCC Competition 2009 CEA Household Penetration
CES Review - Peter Putman, ROAM Consulting
Sustainable Media Technology & Practice - Matt Peterson, Vertatique
New developments in stereoscopy Hybrid/Multi-mode 3-D creation - David Seigle, In-Three Autostereoscopic display - Pia Maffei, Alioscopy USA
High Frame-Rate Television - Steve Jolly, BBC Research Additional content published by BBC
Studio/distribution concatenated-compression test results - Hans Hoffmann, EBU
Broadcasting: Analog TurnED Off & What's Next? ATSC 2.0 - Graham Jones, NAB Jerry Butler, PBS Jim Starzynski, NBC Universal Robert Seidel, CBS
Impact of New Display Technologies on Reference Monitoring Gary Mandle, Sony
Washington Update - Jim Burger, Dow Lohnes
Content ID: Not quite ready for prime time? - Clyde Smith, Turner Broadcasting & Katherine Parker, Sun Microsystems
Building a Network for Content Creators - Anthony Magliocco, AboveNet, Inc.
Real-world data-transfer results - James Fancher, Deluxe Digital Media
Storage year in review - Rob Kobrin, Integrated Media Technologies
Software technologies panel - John Footen, moderator BXF - Chris Lennon, Harris Service-Oriented Storage - Simon Eldridge, Omneon Broadcaster Case Study - Jerry Butler, PBS
Technology trends in post infrastructure: appliances to clusters to microcode - Tom Burns, Technicolor
Advanced processing Cell technology - Lance Kelson, Sony FPGAs - Juan Pertierra, Cine-tal Grid-based transcoding - Jason Danielson, Omneon
4K+ theory basics, part II: dynamic range - Hans Kiening, ARRI 4K Systems Technology Brochure
Correction of defects in 4K scanning using advanced technologies - Dave Cavena, Image Trends
How cable works - Steve Lampen, Belden
A test pattern for the digital age - Norm Hurst, Sarnoff
Online Sensitometry for Digital-Intermediate Calibration - Ujwal Nirgudkar, Alfa Imaging Systems, India
Minimizing color variation - Gary Demos, Image Essence
Spatial Hearing - James Johnston, DTS
Post-Retreat treat: The Metropolitan Opera's Live Global Cinemacasts - Mark Schubin, Metropolitan Opera
Breakfast Roundtables Content ID: Ready for prime time? - Katherine Parker, Sun Microsystems Aspect Ratio Angst., Bruce Jacobs, Twin Cities Public Television It's a Mad, Mad, Mad, Mad Multiformat World - Bruce Jacobs, Twin Cities Public Television Acquisition Formats
2008: Archive eXchange Format (AXF), Merrill Weiss Brushing Up on Upconversion, Bruce Jacobs Concatenated Compression Effects, Josh Derby Consumer Electronics Overview, Shawn DuBravac Consumer Electronics Show Review, Peter Putman Cross Media Format Workflow for Production, Postproduction, & Archiving, Siegfried Foessel Dirac Pro for Post, Peter Wilson Financial Analyst's Follow-Up and Further Inquiry, Mike Olson High Dynamic Range Display Technology, Dave Schnuelle Introduction & Technology Year in Review, Mark Schubin Layered Motion Compensation, Gary Demos Less than a Year to Go: What Happens after Analog Cutoff, Bob Seidel Less than a Year to Go: What Happens after Analog Cutoff, Glenn Reitmeier Looking at the Other End: All About HDMI, Steve Lampen Motion in Visual Media Production, Anil Kokaram & MC Patel One Studio Perspective on the Digital-Cinema Transition, Wade Hanniball Parameters for evaluation monitors (Breakfast Roundtable), Peter Putman Supersession Post 3D: Moving from a Science Project to a Business, Jerry Pierce Supersession Post 3D: Moving from a Science Project to a Business, Patrick Palmer Supersession Post 3D: Moving from a Science Project to a Business, Chuck Viane Supersession Post 3D: Moving from a Science Project to a Business, Doug Darrow Supersession Post 3D: Moving from a Science Project to a Business, Alan Bell Supersession Post 3D: Moving from a Science Project to a Business, Joe Cirincione Task Force on Synchronization & Timing, Peter Symes Tools for Evaluating HD Fixed-Pixel Display Performance, Jed Deame Washington Update, Jim Burger 2007: A New Concept for Post & Distribution, Igor Borovikov Archiving Movies in a Digital World, Dave Cavena AVC: New directions and applications, Peter Symes CEA Penetration Figures, Mark Schubin Digital-Cinematography Cameras, Mark Schubin Display and Consumer Electronics Update, Peter Putman Dynamic and Interactive Scalable Workflow for Digital Motion Picture Production, Adrian Widera & Siegfried Foessel EMC Today, Paul Swedberg Extended Color Gamut for Consumers - the Display Side, Jeroen Stessen Facemorph (software demo) File-based Workflow for Transcoding Theatrical Content to a Variety of Entertainment Video Formats, Christoph Fehn FrameFree Video Compression - Critical Points versus Block Matching, Igor Borovikov HD-ENG Field Test Report, Bob Seidel HZ-CA13U Film Lens Adapter, Craig Yanagi Introduction, Mark Schubin Managing the Lifecycle of Hollywood Data, Brian Olson "New" Extended-gamut Color Space for Video Applications; xvYCC (IEC61966-2-4), Naoya Katoh Nielsen Penetrations, Mark Schubin PBS Update, Jerry Butler Predicting (or Creating?) the Future of Home Entertainment, John Godfrey Production for the Long Tail, Steve Stough RAW Workflows: Impacts on Aquisition and Post, David Newman Securing and Archiving Content Assets, Utilizing Holographic Data Recording, Art Rancis Spatio-Temporal Quincunx Sub-Sampling (...and how we get there), David Lyon The DTV Transition & Digital Rights Washington Update: The Year In Review, Jim Burger The MXF Mastering Format A proposal to address existing MXF interoperability issues, Clyde Smith The Video Consumer Marketplace: We're Getting There, BUT..., Michael Heiss TV Sizing Trends, Mark Schubin Understanding and Measuring Loudness, Josh Derby & Mark Edmondson Understanding Transport Streams, Laszlo Zoltan XDCAM HD Dailies, Brian Quandt 2006: 10 Gigabit Audio and Video Networking, Steve Lampen 4K Pure Cinema Joint Field Trial NTT-WB-TOHO Digital Cinema Distribution over International Fiber Networks, Tetsuro Fujii 960 x 540 Down-Rez For whom is it bad?, Mark Schubin Advanced Camera Research at NHK, Hiroshi Shimamoto ARRI D20 Camera Tests, Stephan Ukas-Bradley Audio Metadata: Key For Producer Creativity and Tool for Broadcaster Flexibility, Kenneth Hunold AVC Compression Update: FRExt and future, Matthew Goldman CEA Penetration Figures, Mark Schubin CineGrid, Tom DeFanti CineGrid, Laurin Herr Compression Update: Advanced Codecs Standardization Activities, Patrick Waddell Digital Steroscopic (3D) Presentation: How its Done Today and Post Production Implications, Glenn Kennel D-ILA Technology Contrast/Grayscale, Color, Scaling, Deinterlacing/Motion, Rod Sterling FCC Competition Report, Mark Schubin Film Grain Technology, Jeff Cooper Final Cut Studio - Native Long-GOP Editing, Brett Halle Fraunhofer Network Digital Cinema, Siegfried Foessel Harry Potter in 4K Pure Cinema, Wendy Aylsworth HDTV at CBS & UPN (CW), Robert Seidel HPA 2006 Broadcaster Panel, Glenn Reitmeier Introduction, Mark Schubin ISA - Interoperability and Security Architecture, Julien Seligmann Lip Sync of Audio/Video Distribution and Display, Bill Hogan & Michael Smith Lossless Layered Residual System, Gary Demos Metadata for Formatting with Multiple Aspect Ratios, Graham Jones Native Editing with Final Cut Pro 5 - FAQ's (Non-Color) Display Signal Processing, Jed Deame Octavision 8M pixel - Quad HD motion picture camera/recorder, Nobuyuki "Nick" Koyama Panel on 3D Movie Production, Thomas MacCalla Project Lightspeed TelcoTV Update, Brad Medford Quest for an Image Interchange and Mastering Format, Jim Houston Research Institute for Digital Media and Content, Naohisa Ohta See It Now: A Primer on LCD, DLP, LCoS, and Plasma Technologies, Pete Putman Small Format HD Acquisition, Mark Schubin Some Random Thoughts on the "new" 3D, Rob Engle The DTV Transition & Digital Rights Washington Update: The Year In Review, Jim Burger The Evolving Home - Traffic Theory, Piracy and the New Home, Jerry Pierce TV for Mobile Devices, Tom McDonough Universal Pictures D-Cinema: "Serenity" DCP and Trailers, Wade Hanniball 2005: A comparison of MPEG-2 Video, MPEG-4 AVC, and SMPTE VC-1, Matthew Goldman Updates in MPEG-4 AVC (H.264) Standard to Improve Picture Quality and Usability, Jiuhuai Lu Patent Licensing 101, Ron Moore Delivering More Video Content at Half the Cost Using MPEG-4 AVC, Bob Wilson Introduction, Mark Schubin CEA Penetration Figures, Mark Schubin FCC Report, Mark Schubin ABC Television Network DTV Status Report, Mike Strein CBS/UPN HDTV Update, Robert Seidel CE Industry Overview, Brian Markwalter Digital Content Protection 2005 Status Report, Brad Hunt Tapeless Camcorder Acquisition Dual Media Approach, Robert Harris Uncompressed Recording - Camera to Post Workflow, Don Miskowich Film Transfer for Digital Intermediate, Dave Bancroft Optimizing Displays for Digital Dailies, Loren Nielsen X'Y'Z' Color Encoding for Digital Cinema Distribution, Glenn Kennel Make Your Own DCP - A Guide to Creating D-Cinema Distribution Packages, John Hurst WorldScreen Layered Scheme Compression for the Digital Cinema Chain, Mike Christmann Digital Cinema in Japan, Laurin Herr A Look at Consumer Displays - 2005 CES, Pete Putman ISAN: International Standard Audiovisual Number, Merrill Weiss The DTV Transition & Grokster - A Washington Update, Jim Burger Extended Content Control Information (ExCCI) Packet - The Studio Side of DRM, Merrill Weiss Sound Editing Workflows in Post Production, John Mckay Final Cut Pro HD & XML, Brett Halle Dust to Glory - Case Study, Jacob Rosenberg Standards Organizations: Are They Still Relevant to Users?, Peter Symes Introduction to GFX, Paul Collins User Interfaces and Technology Choices, Pete Challinger Translating Hollywood's Command of Audience to the Networked Distribution Reality - What Hollywood Can Learn from Digital Identity, Patrick Gregston Skew - What it is, What it Means, Why You Should Care, Steve Lampen Motion Estimation/Compensation for Noise Reduction & Image Enhancement, Fredrik Lidberg 4k File Access without Transfer OR All the way to 4K, Chris Golson
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